Bruce Mau: an incomplete manifesto for growth

#5 Go deep.

The deeper you go the more likely you are to find something of value.

#8 Drift.

Allow yourself to wander aimlessly. Explore adjacencies. Lack judgement. Postpone criticism.

http://www.ludosabato.com/mau/

DESIGN IS...

I had 5 thoughts driving from Melbourne to Albany.
Hearing what goes through your mind when that's all you've got to do is an exercise in forbearance, seven days to do not much else but stare and think. Thoughts like planets just go round and round and round in you like you're the sun.


There's plenty of time/space to work at refining an idea.
I was wondering how to describe my landscape architecture practice hopes, what I want to do in Albany and what landscape architecture is to me. First I had to define design. It took a few days...

"Design is the conscious and deliberate consideration of form/system/process."

And then I arrived.

taking down the fences

Keith Bradby: And what next for us was to work with the farmers on the origins of the Landcare movement, work with the ecologists and the concerned members of the community on the biological values of this place and what it needs, and I'll be honest, that after 15 years of that, I think we'd achieved a lot, but nowhere near as much as we need to achieve. So we start searching for what is the next big lift that this landscape and society needs. And it is being able to think across a thousand or two kilometres and across a thousand or two years, to what is health in this landscape, what is vitality in this landscape. And it's a lot more than looking after rare species or propping up farms with a few belts of trees. It is stitching the health back together and it is bringing it, and its values and its needs into our culture. Gondwanalink is the vehicle that we think helps us do that here, and helps us appreciate both the need and the ability to do that nationally.

from the transcript to the radio program, Taking Down the Fences.


This image from http://www.gondwanalink.org/


A great show for encounter on ABC Radio National.
Gondwanalink, as most Albany people know, is an amazing programme to regrow a strip from Kalgoorlie to Margaret river, the brainchild of Keith Bradby.

What excites me about it is that taking down fences and reclaiming farm land demands a rethink of entire social, cultural and community systems. And it proposes using nature as the infrastrucure through which human interaction with the land is controlled.

Keith Bradby: ... Again, at the risk of sounding either arrogant or facetious or some other rude word, we have formally apologised as a nation to the Aboriginal people of Australia for shall we say both our mistakes and our intentional wrongs. And I don't think we have yet formally apologised to the country as a whole for our clumsiness and our mistakes and our intentional damage. And I think when you work on something like Gondwanalink and you say 'Look, over 1,000 kilometres we've ripped it asunder and broken the essential links', at some point you do have to apologise to the land or at least do those things which help atone for those wrongs.

sustain 7

a collection point for ideas, processes, plans and actions to create a sustainable community in the south west of west australia, with an underlying principle that what we do will make a positive contribution to place in the year 2220: seven generations in the future.

design a city

group exercise.

characteristics of moments from our everyday:

	DOG	Free roaming
	ROLLING CHAIR	Directed roaming
	GUMBOOT	Protective roaming
	TRAIN	Directed
	CUP	Delivery
	COMPUTER	Free roaming	Free roaming	Delivery
	DISHES	Cleanliness	Place
	AFTERNOONS	Chill time	Other time Own time	Sunny	Relaxed
	iPOD	Free roaming (not fixed)	Delivery	Transportation	identity
	JUMPER	Warmth	Wind protection
	TIN ROOF	Shelter	Phenomenological	Experiential	sound

Use these characteristics to design a city.

Afternoon: what are the material properties of an "afternoon" site?
Where would you put the afternoon?
If this is a plan of a street, then:


Put the afternoon on top of a hill so it gets lots of sunlight. Then the morning is down the bottom, so you don't have to walk so far, and the evening is on the south side, away from the sun, because there isn't any then. Move between the different times of day.
A localized delivery system at the bottom of the hill for internet access, might become a transfer station: cold water moving down hill might capture heat produced by an internet service provider hub, and use that warm water to...warm a green house: transfer of enegry from isp to growing plants. Localised energy production at these sites, related to needs for each part of the day.


Move between days of the week. A circle of hills is a city layout, so that you move gradually from one day to the next.
Hill Friday might have a longer profile to accomodate the larger number of people there, and the delevery systems needed to supply what constitutes Friday, like alcohol, comfy couches, dance music...

Kinjarling Walk Trails

I'm not in Albany, but I can't stop thinking about getting back and how great practicing there as an embedded landscape architect will be. My latest excitement came when Sarah Toa told me there are moves afoot to establish Kinjarling walking/story trails around Albany. I think "through" Albany. Lines that cut across York street, through the middle of Woollies, lines that walk you next to the war memorial on Mt Clarence...
How to show these on the ground? A bit of dirt where you least expect it, a section cut through the asphalt, a tiled pattern meandering past the deli counter that reminds you of a songline that still exists, and will still exist long after honey ham is no longer sold there.

Connect this image with parks and gardens breaking their boundaries and getting smeared across streets and through corners of buildings.

Maybe a paving type like this


in a 20m wide strip across York street, just at the cross walk:



Alison Hartman Gardens breaking free from her confining edge.

internialities

some thoughts going through my head tonight:


embedded practice_working directly in the community in which you are living
hold the whole system in the mind; is this future a system small enough to fit?

intensity_of settlement.
(what is a city?)
regarding settlement patterns as areas of intensity and dispersal how can we reconfigure our settlement patterns in a more effective, creative and sustainable way?
on a continuum most least intense dispersed
moments of intensity within boundaries which limit geographic spread.
boundaries in time, boundaries in space.
without boundaries, but within "zones" of intensity. i don't like that word here, sounds too geographically deterministic, but moments is too ephemeral. it is geographic, it is fixed in a place for a time, and it reflects temporal opportunities
refiguring the urban/rural binary as moments of intensity in a field of possibilities.

all to the purpose of allowing other species to flourish for their own sake.

maintenance is the most import pattern information we can use to define the use and uselessness of the landscape.

what is landfill but an opportunity for life, an intensity of potentials, millions of potential sites for organisms so flourish?

A line made by walking.

"...he walked backwards and forwards until the flattened turf caught the sunlight and became visible as a line."

Richard Long

A Line Made by Walking 1967

Photograph and pencil on board


Hearing about Richard Long's Line was one of the first things that made me realize I was a sculptor. Such banal everyday practice was what people were calling art? Then ok, I am an artist! This guy, and all those British land artists like him, Hamish Fulton, Ian Hamilton Finlay etc, were so influential on my gentle practice, and what I love.

Pick a daisy, one for each day of your life (this makes an empty green spiral in a field of yellow cape weed daisies, and your hands are sticky with yellow pollen and white sap)

So how come this didn't come out in four years of design exploration studies? It is a gentle, subtle thing, and I never felt like being a design student was either gentle or subtle. Even the word designer sounds hard to me, smooth, grey and perfect... none of those things is me. I like the process of designing, but don't want to be one. I'd much rather be a sculptor, rough hands, moving clay around and hammering chunks of wood. Or a land artist, walking in the dewy grass. Walking in circles.
And what has happened to my sculpture practice? Ah, now that is a long secret... some stupid idea about not documenting stuff. But if you can't show it to someone, maybe they don't believe you did it. So just occasionally you feel like maybe you didn't do it. And sometimes that thought spills too far, and you just stop talking about it, and then you stop doing it all together.
And do you stop loving it, too?

Quote and photo from the Tate Modern website: http://www.tate.org.uk/servlet/ViewWork?workid=8971, Accessed 21st August 2009